Re: Lock Up Your Guitars
Originally Posted by
Saab2000
Speaking of guitars.... I've been listening to some quality players lately but on low level sound systems like my iPod and regular earphones. Guys like Jack White and Lindsey Buckingham and Mike Oldfield are really good players and they sound good too. They also appear to be using custom guitars that sound great. Would they sound as good on 'average' expensive guitars? Or is the difference between a really good, store guitar and a high level hand made guitar really noticeable to a great unwashed casual fan like myself. How much difference does the instrument make to the quality of the sound? Or is it basically something only they can hear?
Speak to us musicians of the V-Salon.
Enquiring minds must know.
Like cyclists, musicians can be fetishists about their gear. But the general consensus is that the technology available today is light-years ahead of where it was just a few decades ago, that the entry or mid-level stuff is better than the top of the line gear available back then.
We do tend to have a fondness for old stuff, analog tape and whatnot. The grit is in there somewhere Since you brought up Jack White, I'll tell you that the red airline guitar he used (well, at least one of them) from relative obscurity through around "Elephant" was sold to him by a buddy of mine named Jack Yarber aka Jack Oblivian. I can guarantee you that the guitar in soundsd differently in each of their hands. It was an Airline guitar that would have originally been sold at Sears. The sound is in the sound hands.
This is a tangent from the OP, but since I'm a drummer, I'll make my point from a drummers perspective. You can put a guy like Steve Gadd on a beat up, piece of shit kit and he's going to sound like Steve Gadd. You can put me on Gadd's kit, and I won't sound anything like Steve Gadd. Again, it's in the players' touch.
I read a story of a jazz drummer who became obsessed with the sound of a certain players ride cymbal. To jazz drummers, the ride sound is their fingerprint; their calling card. This guy did his research, found the name of the drummer on the recording, and sought him out at one of his gigs. while things like room sound and microphone selection play a big part in sound, he found that the cymbal sound at the gig was the same as on the recording. He talked to he drummer and made arrangements to play the cymbal after the show. When the time came, he found that the cymbal, which he'd heard as the ideal cymbal sound on record and in the hands of that player, was basically an unplayable dog in his own hands.
Got some cash
Bought some wheels
Took it out
'Cross the fields
Lost Control
Hit a wall
But we're alright
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