I agree with the sentiment that the best (i.e. most likely to be ridden into the ground) bikes seemed to be largely passed over by the press. Some of that blame falls on the shoulders of the consumer. Many claim to want one bike to end all bikes, but in the end they buy the newest carbon-uber bike every other season. They claim to want coverage of "real bikes" but buy the magazine with the stealth Dogma EPS on the cover. They claim to want more "good news" on TV, but as soon as the happy story comes on they flip the channel. NAHBS is largely a show about what can be done, not what should be done, because that is how the builders draw the average attendee (and media member) into their booth.
Stinner had two beautiful road bikes in his booth, but they only thing that got much coverage was the (amazing) OD green GDMBR bike. Not that it won't be used, but most of the people pining for it wouldn't use if for anything more than a conversation starter at a coffee shop. Kelson displayed bike designs that are currently being raced successfully, but little mention was made. Hampsten displayed two of the most beautiful "everyday" bikes I have ever seen, but all of the pictures were of the (fantastic) 7-11 track bike or his historic "Huffy." Ellis had a beautiful mint green bike that served as little more than a background for the (droolworthy) Strada Fango. Lundbeck, Strong, A-Train, DeSalvo and many others had amazing bikes that I would gladly ride until they rusted out from beneath me but I had trouble finding information on them after leaving the show.
The vSalon guys are actually buying these bikes, but the general public largely ignores them. As the article mentioned, hopefully the wildly escalating prices of the market in general will open the average consumers eyes to the value proposition being offered by the craftsman found at NAHBS. For once the artisan American option is both cheaper and arguably better, yet we (as a whole) ignore it and continue to buy what the glossy magazine ads tell us to buy.
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