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Thread: Richard Sachs Cycles

  1. #1681
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    Default Re: Richard Sachs Cycles

    -- nervex ref.32 lugs reworked.., stand in my world alone marching to the same drummer as the richie-issimo lugs..
    "made to race.., just happens to be beautiful too"
    imho with a smile,
    ronnie
     

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    Default Re: Richard Sachs Cycles

    Quote Originally Posted by e-RICHIE View Post

    I don't think of a fork as an accessory or component.
    Didn't mean to imply that the fork was an accessory, I agree wholeheartedly with the point you make. Which I why I view the frame set( frame and fork) as a paired unit. They are made to work with each other.

    And thanks for the answer!

    Matt
     

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    Default Re: Richard Sachs Cycles

    Origin Of A Species 3.0

    The next time my designs would show up in frame lugs would be about a decade later. In 1990, Bridgestone Bicycle Company commissioned me to create a set of frame lugs for a line of road bicycles they were making. Unlike the first ones I did for Takahashi, the B.B.C. lugs needed to be ornate and have a look-at-me quality. These parts would be used on manufactured bicycles and the work order asked that the shapes I arrived at should have enormous visual appeal and encourage the potential client and end user to want to look at the bicycle and be pleased with the details. The interaction between me, Bridgestoneís U.S. office, as well as the folks based in Japan, spanned well over a year. While the prototypes took less than two days to create, we all spent months deliberating over whether the technology existed to produce such intricate parts.

    The text of a fax that contains some of the information that speaks to the trepidation and delays involved has been posted elsewhere, but sadly, B.B.C. closed its doors in the mid 1990s before the lugs were ever made, but the project was salvaged, tools were made, and the new lugs were ultimately used on the frames marketed by Rivendell Bicycles.

    All This By Hand



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    Default Re: Richard Sachs Cycles

    Origin Of A Species 4.0

    Through the years as the industry has decidedly become non-ferrous and placing so much emphasis on industrial-made bicycles, the need for high quality steel tubing and fine lugs to join them with became less and less. By 2000 I was thoroughly disenchanted with the supply chain and began plotting a way to become my own supplier as well as a resource for other peer framebuilders who also felt that the well was going dry. By 2002 my first set of modern era I.C. parts for what were now OS (over-sized) dimensions became a reality. I branded them Richie-Issimo. The set included a matching fork crown and bottom bracket shell. Within two years, I added the Newvex, Nuovo Richie, and Rene Singer lug sets and Piccoli Gioielli cast dropouts to the list of goods I offered to the trade. In 2004, working in tandem with Dario Pegoretti, and collaborating with Columbus in Italy, a design for a new tube set became a reality. The concept was to create the first 21st Century steel tube set specifically designed for artisan framebuilders who chose lugs as their joining process. PegoRichie tubing entered the vernacular by 2005. In 2011, a ‹OS (‹ber OverSize) version of PegoRichie tubing was added to the line, along with Sax Max lugs, bottom bracket shells, front derailleur braze-ons, and a 28.6mm fork crown sized for 27mm ‹OS fork blades.

    If someone asked me about the state of framebuilding in the late 1990s, I may have sounded discouraged, jaded, and even poor-mouth. Part of me still had ties to the romantic and humble beginnings of an earlier era. Along the way, I was able to reverse engineer some of the trends leading up to Y2K and put myself in the position of designer for, and as a supplier to, many of the fine craftspeople who now comprise the framebuilding community.

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  5. #1685
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    Default Re: Richard Sachs Cycles

    Grief Watts

    When people leave there's a shadow cast on those left in their wake. And then somehow it vanishes. And that the shadow passes disturbs me, though I know well why it's gone. But it disturbs me anyway. Life doesn't wait. It never waits.

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    Default Re: Richard Sachs Cycles


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    Default Re: Richard Sachs Cycles

    Day Of Reckoning

    I’ve never worked for anyone. Or for myself for that matter. These commissions all of them, they were just me staring at metal and hand-tools. That certain wonder about how to stand still long enough, and with the right posture. Yeah. People wrote checks and filled out forms. I reckon with all the appointments, the telephone calls, the measurements, the handwritten notes, the emails, and the emails – I’ve spent hours with each client before any tube is cut to length, or a color is selected. These meetings. The years of corresponding. All of it lives its own life and has precious little to do with the actual work. That part made up of the sacred moments when I am alone. Rarely with even a sound in the room, unless I am making it. I live within a balance of four walls, time, experiences, and the material. When the credits roll, that’s all there is. To always wonder about days spent. And to also listen to my only boss. I work for the metal and the hand-tools. When they are served well, I know it’s worth finishing. And then starting over.

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    Default Re: Richard Sachs Cycles

    This Magic Moment

    What I enjoy most, what I’ve always enjoyed most, is the time after a frame (and fork) has been finished. For all the gaffes and second-guesses that are part of the process, the new morning when another order is about to begin, but nothing yet has happened, and there’s all this enthusiasm for that maybe just maybe this next one will check all the boxes. But I haven’t done a thing yet, but am about to, very soon. That moment between the ideal of a concept and the reality that, the moment before I start hacking on a pipe, adjusting a spec, or using some cutting tools, there’s that small window of time when nothing absolutely nothing has gone sideways (yet). It’s a small moment at most. One that every maker knows.

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    Default Re: Richard Sachs Cycles

    CX Natz

    There are no do-overs in life. That’s the takeaway from my Reno sojourn. In what was basically a construct created to deal with loss, I realized after about 100 seconds of racing that loss will be there no matter what lens I view it through. Ya see, my last race really was in October. That’s me running through the long sand pits at HPCX. And I had a very good day at that. But I knew it’d be my last race since November would be filled with other obligations that’d keep me from staying committed to the program.

    Then Bobbe died on the 24th. And Rich died about a week later. And I kept riding just because.

    There’s this little game athletes play in order to bolster self-esteem. It revolves around believing they can get it done. Confidence. Arrogance. Maybe it’s delusion. I suffer from it. As time passed and the Natz drew closer, I began to look at the start lists, and the weather patterns, and the travel fares. Oh, and I also watched the Race Predictor at USAC hourly as my name kept hovering in that second spot. Despite a lack of race starts and serious training, all of this spoke to me and said, “Go to Reno and take care of business.”

    My fantasy was perfectly scored but imperfectly executed. I was the second call-up. I had a superb start and turned myself inside out for another 100 good seconds, ready for the 40 minutes that followed. And then everything got dark. I was prepared for the storyline but unprepared for the task. There’s this place I was going where a win in Reno would erase the loss, or just allow me to accept it. And here I am back in Deep River. What I left five days ago is still here. Bobbe and Rich are still gone. The race is over. This season is done.

    11, January 2018



  10. #1690
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    Default Re: Richard Sachs Cycles

    Why Love Matters

    It’s important to love your work, to love what you make. To love the ones that go sideways and the others that come close but fall short but get invoiced regardless. To love it all. It’s a leaping off point for others to join you. So they can love it. If nothing else, it’s a chance for them to understand the struggle, easy as it may seem from the shop window. There’s no way to overcome it. The lines move weekly. Sometimes they move before the metal cools. Thing is, you have to accept it. What’s served up. The craftsman thing. The control thing. These will only take you so far. The answer. An answer. Find intimacy between you and the material. It’s nothing but a pile of stuff until you pick it up. Before that vision you have for it becomes closer to real once you grab some tools. But even when the material talks back to you, nod in agreement – and keep going forward despite all of it. The work comes from you alone. Love it. And love it more. And then let others love it.

    All This By Hand



  11. #1691
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    Default Re: Richard Sachs Cycles

    Unpopular Culture

    Grief is a game played hard, and to win. And always front of a crowd, never alone. You can’t practice it. But you’ll know the match has begun when you realize your number is somehow miraculously already pinned on. How do I know? I just do. Try as I might, I suck at the game. There’s this inner voice I expected to hear so that my time on the field would be superb. The stuff of legends. I mean, who doesn’t grieve? Who can’t do grief well? That’s me. I just benched myself.

    Death and loss and grief are so commingled in our culture that I almost feel bad for not understanding it. Two of the more powerful, important, and loved creatures in my life went away less than seven weeks ago. I expected to feel, well – to at least feel differently. To be a Varsity Team level griever. But alas.

    I’ve looked at it through many lenses and come away believing grief is for the audience. For the ticket holders watching the game. So that they think they’re getting their money’s worth while you wriggle and cry and face massive losses for words about those who’ve gone to that room upstairs. Note the Chauncey Gardiner reference. Is grief a game faked like the WWF? Is the outcome predictable no matter what happens before the buzzer sounds? Dunno.

    I miss Bobbe and Rich beyond words. And yeah I’ve cried quite a bit. And also carry that incredulity streak that they’re no longer on God’s green earth for all of us to touch, to engage, to share laughs with, and to love – and to be loved in return. After all the searching and pondering in the intervening weeks, I’m left believing that I gave as good as I got, and did it all in real time. While they were here. With me. When it mattered.

    If grief is about showing others you’re sad, then perhaps I missed the playbook. More than anything, I’m happy. I had a chance to connect with two souls who meant something to me. Who shaped my life. For whom I never waited a moment too long to let know how much their lives enriched mine, and how much I loved them. After all of this, the letting go part was, well – it was quite easy.



  12. #1692
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    Default Re: Richard Sachs Cycles

    Quote Originally Posted by e-RICHIE View Post
    Why Love Matters

    It’s important to love your work, to love what you make. To love the ones that go sideways and the others that come close but fall short but get invoiced regardless. To love it all. It’s a leaping off point for others to join you. So they can love it. If nothing else, it’s a chance for them to understand the struggle, easy as it may seem from the shop window. There’s no way to overcome it. The lines move weekly. Sometimes they move before the metal cools. Thing is, you have to accept it. What’s served up. The craftsman thing. The control thing. These will only take you so far. The answer. An answer. Find intimacy between you and the material. It’s nothing but a pile of stuff until you pick it up. Before that vision you have for it becomes closer to real once you grab some tools. But even when the material talks back to you, nod in agreement – and keep going forward despite all of it. The work comes from you alone. Love it. And love it more. And then let others love it.
    Thanks. This is timely. I'm at a messy desk doing abstruse stuff that's dragging on too long and all coming down at the same time. I want all my work to be soulcraft and this is a good reminder that I'm the only one who can make it that way.
     

  13. #1693
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    Default Re: Richard Sachs Cycles

    -- within i grieve for my father -- i did not "give what i got.."

    we never communicated.., bwtf he provided well and taught me to be
    strong & pick a life's path.., maybe the wrong path.., but a path that i later changed..
    he kept me alive in the paddies of rice.., "i'll show him what i am made of..."
    i'm made of nothing.., but the desire to live, show him and keep others alive kept me
    looking forward.., not back..
    i grieve that i can't look at him now and say.., "we don't agree and never will agree..,
    but i love you dad and we're ok.."

    so much more than a bike & thinking good thoughts..,
    ronnie with a smile
     

  14. #1694
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    Default Re: Richard Sachs Cycles

    He Said She Said

    I’ve been interviewed and have answered questions for over 45 years and said a lot of things to many journalists and with rare exception some of it maybe much of it got into print even though much of it or maybe just some of it got rearranged by an editor or assistant, but I’m more than very used to it. So when I read about others and what they’re purported to have said or see a quote attributed to them or just see a forum thread about what someone does based on an article published (in the old days I might have written “printed”) somewhere I pause. I pause because I know or at least I accept that the news or the article or the words or all of it AS WELL AS the pictures that are used to sweeten it up – all of it is a currency that those with the pens and pads and mics and recorders use to make their own mark on the world. We do what we do. We make things. They ask us all sorts of questions about what we do. And make. And then the parcel of intellect we hand over becomes their property to bundle and present as content. Content. Then after all of this the receiver digests it in his own inimitable and unique way and decides based on reading skills and attention span and most of all depth – he decides what it is we said. It doesn’t matter what we said. Because that part of the equation is already gone.

    All This By Hand



  15. #1695
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    Default Re: Richard Sachs Cycles

    Saying Boo

    Ya to be clear, I’ve said a lot of things and opined regularly since 1997. Before that I never said boo to anyone about anything. But that’s another story according to my opinion. Thing is, I’d take none of it back. In some instances, I wish I’d waited longer to say it. Other times, I regret not dealing with it sooner. And in both examples, sometimes the words could have been broadcasted to a wider audience and had more impact. Or the messages could have been articulated differently. Or better. I’ll own it all, no matter. But the point remains – people start too soon, or are untrained for the task, or almost worse, are undertrained. That last part means that they know a little, from a book, or course, or maybe from asking a bunch of questions on the Not Framebuilders Page and the replies, also from the untrained or undertrained sector, become the foundation they build upon. That’s. Fucking. Scary.

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  16. #1696
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    Default Re: Richard Sachs Cycles

    Red Scents

    The last seven frames to come back from the paint shop have been some version of red. I won’t give it much more thought. If they made it to Spring Valley at all it means each commission passed the RS smell test on enough levels so that I’d feel comfortable delivering the bicycle to a waiting client, that it would fit superbly, work according to my belief system, and look bitchin’. If there’s any one theme that ties all of this together it’s the consistency with which inconsistencies are part of the process.

    All This By Hand



  17. #1697
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    Default Re: Richard Sachs Cycles

    Update

    Iím on a bit of a tear. This is my third frame since last Monday. PegoRichie. Richie-Issimo. Piccoli Gioielli. House Rules. Special sauce. Two pickles. Side of coleslaw. Typical RS recipe. Better yet, I learned how to load multiple images on IG. This is DR57. Itís going to be a nice 56cm road bicycle with level top tube, normal design elements from end to end, and probably Ė based on recent history Ė some kindaí red paint. These are some early process shots.

    In other news, I started the rest of my life last week. Thatís the kind of story normally buried beneath the fold. But whatís private these days? Iíve had a tumultuous autumn, preceded by some eight tumultuous years of their own. So I made a pact with myself in January that on the 28th, Iíd walk across the threshold. Itís no small coincidence that it would have been Bobbeís 89th birthday. Or it was the day we drove home from Richís memorial in Wilmington. Thing is, I was ready to move ahead and take my love for all of it, for all of them, and for TLD and our little Buddy, and for my work, and for our new routine in Deep River Ė I was ready to, well Ė I was just ready. So here I am.

    All This By Hand

    5, February 2018

















  18. #1698
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    Default Re: Richard Sachs Cycles

    Richard, Have you looked into the future and drawn a line in the sand and chiselled in a date to call it quits or is it a day by day prospect?
    Bill Fernance
    Bicycle Shop Owner
    Part Time Framebuilder
    Bicycle Tragic

  19. #1699
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    Default Re: Richard Sachs Cycles

    Quote Originally Posted by progetto View Post
    Richard, Have you looked into the future and drawn a line in the sand and chiselled in a date to call it quits or is it a day by day prospect?
    No not at all.
    Finish current list then hit reset button.

  20. #1700
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    Default Re: Richard Sachs Cycles

    In Sync

    Here’s a random shot culling from Monday. For the frame I started Sunday. Every day I learn something new. Today it’s that taking 400 images and selecting only ten is harder than making a bicycle. I also learned that capturing the work I do at the bench stores energy I wasn’t aware existed. My research tells me that for every six pictures taken, my Nikon will live the equivalent of one week longer in the future than had I left it on the table unattended, So my research tells me that the work I did (the aforementioned 400 images) will drive my camera’s shelf life roughly sixty six days into the future. It’s like planing, but for photography. I’m in sync with my D7200. Quel dommage. That’s French for “what cheese“. Kinda’.

    All This By Hand



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